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| Original Title: | Edwin Mullhouse, The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright |
| ISBN: | 0679766529 (ISBN13: 9780679766520) |
| Edition Language: | English |
| Literary Awards: | Prix Médicis Etranger (1975) |

Steven Millhauser
Paperback | Pages: 305 pages Rating: 4.06 | 827 Users | 83 Reviews
List Appertaining To Books Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright
| Title | : | Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright |
| Author | : | Steven Millhauser |
| Book Format | : | Paperback |
| Book Edition | : | First Edition |
| Pages | : | Pages: 305 pages |
| Published | : | April 16th 1996 by Vintage (first published 1972) |
| Categories | : | Fiction. Novels. Literature. American |
Narration Conducive To Books Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright
I originally read this book in my sophomore year of high school, and remember little about it except that I liked it. Reading it again, it turns out that Edwin Mullhouse is actually one of my favorite books; if I didn't know any better, I'd also venture that it's been a fairly significant influence on my own sporadic attempts at fiction. Huh. There's a lot going on here: a parody of the impulse to biography (since the narrator is a sixth-grader and the subject is his next-door neighbor and playmate, the parody is mostly implicit, so that Millhauser can go in for some straight-played analysis and leave it to the reader to remember who's doing the talking), a pretty sophisticated first-person narrator of uncertain reliability, and so on. Mostly, though, it's a precisely described, regally dictated catalog of childhood memory (that is, personal) and postwar Americana (that is, universal); the idea, which is a dominant and explict theme in Millhauser's recent short fiction, is that language (or, more generally, any kind of art or other vehicle), if utilized to its fullest potential, can grant us access to the totality of experience. We would be able to remember everything, if only we could find the right words for all of it.Rating Appertaining To Books Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright
Ratings: 4.06 From 827 Users | 83 ReviewsWrite Up Appertaining To Books Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright
I've been a big fan of Martin Dressler and of many of his one-element-is-fantastical short stories, and in this one, his first, I think we can see pretty well where the later stuff comes from. Published in 1972, when Millhauser was in his late 20s, it's a pretty remarkable book, studied, careful, precise, if a little slow. The one fantastical element in this one is that a 12-year-old has total memory recall essentially from birth and that he can write like a very talented adult. But once you"Isnt it true that the biographer performs a function nearly as great as, or precisely as great as, or actually greater by far than the function performed by the artist himself? For the artist creates the work of art, but the biographer, so to speak, creates the artist".In the end every story becomes different from what its author wanted it to be. In the end our life turns out to be a different story than we wished it to.
A lot of times I feel like my preconceived notions of a novel plays a disproportionate role in my eventual reaction to the book. For instance, I'll read a book like Lolita and I go into it knowing that it's one of the major works of the 20th century, and that Nabokov is a master of English prose. The same is true with novels that I hear criticism of. If reviewers I tend to a agree with disparage a book, I'll find myself prone a somewhat hidden wish to confirm their opinion. I don't think this is

I originally read this book in my sophomore year of high school, and remember little about it except that I liked it. Reading it again, it turns out that Edwin Mullhouse is actually one of my favorite books; if I didn't know any better, I'd also venture that it's been a fairly significant influence on my own sporadic attempts at fiction. Huh.There's a lot going on here: a parody of the impulse to biography (since the narrator is a sixth-grader and the subject is his next-door neighbor and
Wow. Just wow. I started reading Millhauser with Dangerous Laughter in high school. I loved it, and progressed to Martin Dressler, which I also enjoyed, but from then on thought that Steven Millhauser was best at writing short stories and novellas as opposed to full length novels.As I grew older, I read Millhauser occasionally, whenever a new collection came out (We Others, then Voices in the Night) or whenever I found one of his books in the used bookstore. And on a whim one Friday I decided to
An exceptional novel delivered with cunning, nostalgia, and satire. I will a read it again more slowly next time, because there is so much here.
It seemed like a cute premise, but I did not like much about this book at all. It was difficult for me to read due to the heaps of description and OH MY GOODNESS the lists! If they walk into a store, the author provides a list of every item they saw in the store, sometimes taking up more than a whole page. It's not cute, it's completely useless, unnecessary, and incredibly annoying. Also, I won't spoil it, but WTF - that ending?! That's all kinds of messed up.
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